Great idea! Never happen, Part 1

December 18, 2006 | Uncategorized

No one can fault Boston Mayor Tom Menino for thinking small — when I read this Boston Globe story, I had two reactions totaling four words:

Mayor Thomas M. Menino, saying he wants to make a statement that will lead Boston into the future, announced he intends to build an “architecturally magnificent” City Hall on the South Boston waterfront, an undertaking that would turn over to developers the current controversial behemoth on City Hall Plaza and shift the locus of city government to a more remote outpost of the city.

 

“This new building will bring together the city’s past and its future, at a site that unites the history of our harbor with the promise of tomorrow’s Boston,” Menino told business leaders at a breakfast gathering at the Fairmont Copley Hotel.

 

Copley_plaza_hotel

A cheerful open-eyed facade on Copley Plaza

“Great idea!” I thought to my surprise. “Never happen.”

 

Building

Even from a distance, it looks gaunt and abandoned

The mayor’s proposal is interesting in its own right, and worthy of deeper study for the principles it reveals about:

1. The evolution of cities.

2. The consequences of bad construction design.

3. Government’s role in fostering urban redevelopment

4. The renewal of very old affordable housing properties via subsidy portage.

Shall we?

 

Shall_we_dance_astaire

May I have the honor of this blog post?

“Great idea!”

It’s a great idea, for several reasons:

 

1. Moving it would publicly commit the city to redeveloping South Boston

As I’ve previously written, in urban revitalization, government must lead, and one of the most effective ways to anchor a political commitment in a new space is to move the seat of government there. The Founding Fathers did that when they created Washington DC, and just as moving the capital (Karachi, Pakistan to Islamabad; Canberra, Australia as the compromise between Sydney and Melbourne; Rio de Janeiro to Brasilia) both signals change and commits a government to it. In the same way, moving city hall commits a city to new growth:

 

Vivien Li, executive director of the Boston Harbor Association, called Menino’s proposal “bold” and said she was “pleased to welcome the mayor to the part of the city that’s going to be the 21st century.”

When the alpha male of government moves, the herd observes:

 

Bruce Berman of the nonprofit group Save the Harbor/Save the Bay said he started getting phone calls from people “within four minutes” of Menino’s speech.

“They said this could change everything if it happens,” said Berman. “What a spectacular and very public use for the harbor,” he said. “City Hall during the day and the Pavilion at night.”

 

2. The City would make money and get a better building. Boston’s move of City Hall to the current location was itself an exercise in urban redevelopment, for to assemble the land, the city cleared the honky-tonk red light district of Scollay Square.

 

Scollay

Scollay Square, 1957, before the Central Artery and before City Hall

The wide boulevard extending north is Hanover Street (I think), before the Artery severed it.

 

That city investment could pay very handsome financial dividends. As another Globe sidebar observes:

Selling the present City Hall, which squats on a corner of nine prime acres of real estate, would offer developers an unprecedented opportunity to fill a hole in downtown. While Boston officials estimate the property could fetch $400 million

That’s a huge sum, almost $45,000,000 an acre, or over $1,000 per square foot for raw land.

 

Python_foot

$1,000 apiece for undeveloped land!

… real estate executives declined to put a price tag on it because its value depends on what the city allows to be built there.

In other words, the city has the power to ratchet up its profit, by allowing the present (incredibly low density and low economic use) site to be more densely — and valuably — developed:

 

“It’s enormous, and I’d hate to even speculate,” said Rob Griffin, president of Cushman & Wakefield of Massachusetts Inc. “To aggregate nine acres in the center of the city like that would be unheard of.”

 

City_hall_plaza_from_above

City Hall is the square open rectangle, and the empty red space is the additional plaza

Because the value of urban land is the net after-development value of what property can be developed on it, with the continuing revival of new-urbanist cities, the sky’s the limit:

“I almost fell out of my seat,” David I. Begelfer, chief executive of the National Association of Industrial and Office Properties‘ regional chapter, said after Menino unleashed his stunning announcement at the Chamber breakfast yesterday morning. “The competition for this site will be international — it’s the most valuable piece of property in Boston, in the center of the city.”

 

With New York’s Stuyvesant Town and Brooklyn’s Atlantic Yards attracting billions, we’re looking at a furious scramble for the development rights.

3. The city could move easily. The city already has land it can put to use:

 

The city already owns 13 acres of land at Drydock Four, southeast of the World Trade Center, which it rents to the Bank of America Pavilion concert facility.

 

Bank_of_america_pavilion

It’s nice and everything, but both low density and low usage

Another incredibly low­ density, low economic value usage.

Menino said he would like to see the pavilion remain on the property after the new City Hall is built. Boston Redevelopment Authority officials yesterday estimated that selling the current City Hall property would generate enough money to finance a $300 million environmentally friendly structure that Menino predicted would be “architecturally magnificent.”

 

4. The current City Hall is an awful building, and always has been. In my novel In the Cube, which imagined Boston in 2080, after development had reached its logical end state with the city becoming a single vast arcology, I made Boston City Hall into an unused refuse dump, because from its opening, it has had all the charm of a dump truck:

 

The Brutalist style concrete City Hall of the present has been the butt of jokes and an object of scorn for decades, even as it wins continuing praise from architects and critics. But confronted with the possibility of losing it, some spoke with nostalgia yesterday.

“It is ugly, but it’s just something that’s always been there,” said Paula Bakerian, 35, a native Bostonian. “That’s like trying to rip down Fenway Park.”

To paraphrase Lloyd Bentsen, I’ve been to Fenway Park, and I’ve been to City Hall. Fenway Park is a favorite venue of mine. And City Hall — you’re no Fenway Park!

 

Bentsen_quayle

You’re more of a Metrodome, senator

 

In addition to the looming gulag presence of City Hall, the plaza itself has never worked as an urban space; it’s too open, too empty, there is neither reason to cluster nor delight in sitting. People cross it in a hurry, as if passaging a wasteland, and it’s no surprise that virtually every single tourist photo shows it empty of people. The plaza and the building reinforce each other’s inhospitality.

It’s hard to believe now, but in a poll of architects and historians in the bicentennial year of 1976, the building was voted one of the 10 greatest works of architecture in American history.

 

No way would that happen today. And even back then, the building was a lot more popular with architects than it was with the public.

The architects liked it because it was avant-garde. As the Globe noted:

The style was derived from the late work of the most famous architect of that era, Le Corbusier. Boston City Hall, in fact, is pretty closely modeled on what is perhaps the French architect’s greatest building, the monastery of La Tourette in southern France.

 

Convent_la_tourette_corbusier

Sorry, that’s really ugly, too.

Corbusier’s love of raw concrete was inspired by his discovery of World War II pillboxes on the coast of France, concrete buildings thrown up quickly for defense. They seemed very real, very honest, not like something a sophisticated architect had fussed over.

Nancy and I have also been to the Normandy beach pillboxes, and to the Maginot Line. And while they are undeniably real, no one built them for creature comforts or esthetic appeal.

 

But La Tourette is modest in scale. Blown up to the proportions of City Hall, Brutalism does become brutal. From the beginning, most people found it intimidating.

 

City_hall_entrance

Any resemblance to the Gates of Mordor is purely coincidental

Some architects design based on drawings and maquettes, not thinking about the occupants:

Those who admire the building sometimes argue that architecture doesn’t have to be beautiful to be great.

For them, City Hall is an ugly, wonderful, powerful, unforgettable building.

 

City_hall_side_view

Don’t hate me because I’m butt-ugly.

Menino has long disliked the present City Hall, a massive concrete building that some have compared to a prison, along with the windswept expanse of brick that surrounds it. His past attempts to improve it — a proposed restaurant, a roof garden to help regulate its extremes in temperature — mostly fell short, and two previous attempts to relocate fizzled. But Menino says he is now committed.

 

Since my company Recap often does business with various City departments, most notably the BRA, I have from time to time attended meetings in City Hall.

The powerful outward thrust of the middle floors, as seen from outside, is the architects’ way of letting you know that these floors are occupied by the important people, namely the mayor and the city council. But they look not so much important as aggressive, even threatening.

 

City_hall_angle_view

Would you really want to find your way in to that?

Inside, it is a pit. Long bland gray and white corridors, narrow and lightless, lead to boxlike offices. It’s a truly miserable space in which to work, and I pity those whose days are spent in its rectangular bowels:

 

The biggest problem with City Hall, though, is the interiors. Indoor walls made of gray concrete, often without much natural daylight, are depressing. And there are a lot of them.

And small rooms, and low ceilings, and long corridors. As the Globe snickered in its brief life history of City Hall:

1967

City government begins a two-year process of moving to the $26 million concrete structure at Government Center. One critic ridicules it as “the crate Faneuil Hall came in.”

 

City_hall_rear_congress_street

This is the face City Hall turns to Faneuil Hall

 

Faneuil_hall

Now that’s a building.

(For benefit of non-Bostonians, Faneuil rhymes with channel.)

Mayor John Collins, working in an office with no heat, comes down with pneumonia and misses the inauguration of his successor, Kevin White.

 

Kevin_white_statue

Kevin White, now a bronze statue adjacent to Faneuil Hall

As Noah Cross said in Chinatown, “politicians, ugly buildings, and whores, all get respectable if they last long enough.”

1969

The American Institute of Architects chooses Boston City Hall for an Honor Award. Writing in The New York Times, Ada Louise Huxtable says Boston City Hall is magnificently monumental and “without a single one of those pompous pratfalls to the classical past.”

 

Ada_louise_huxtable

No pompous pratfalls here

The patrician Ms. Huxtable notwithstanding, Boston City Hall is nothing such a building should be. Its location is wrong, its utility is nil, its appearance ugly, and its physical space obsolescent. Moving it should be a no-brainer.

Then why did I instinctively react that it will never happen?

 

[Continued tomorrow in Part 2.]

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